Alex S Johnson 

The Woman the LAPD Couldn’t Silence: Norma Jean Almodovar In Her Own Words

Norma Jean Almodovar’s life is one of the most thoroughly documented and fiercely contested stories in the history of American sex‑worker rights. Born Norma Jean Wright in 1951 in Binghamton, New York, she grew up in a strict Baptist household and enrolled in Philadelphia College of the Bible with the intention of becoming a missionary — a trajectory she recounts in her memoir From Cop to Call Girl (1988), where she describes the religious pressures that shaped her adolescence and her eventual move to Los Angeles in the early 1970s .

She spent ten years with the Los Angeles Police Department as a civilian traffic officer, a role she has discussed extensively in interviews and in her memoir. Her accounts of witnessing misconduct within the LAPD align with reporting from the era, including investigations into departmental corruption and abuses of power in the late 1970s and early 1980s.

After a disabling on‑duty collision in 1982, she left the department and entered sex work, a transition she has repeatedly framed as both economic necessity and personal awakening.

Her decision to write Cop to Call Girl triggered a retaliatory pandering charge in 1984 — a case widely covered in California newspapers at the time and later analyzed by civil‑liberties scholars. The conviction resulted in prison time, probation, and parole, a sequence she has long argued was designed to suppress her First Amendment rights rather than address any genuine criminal conduct

Today, her papers — more than eighty cubic feet of correspondence, legal documents, media appearances, and activist materials — are housed at the University of Nevada, Las Vegas Special Collections, where they serve as one of the foundational archives for sex‑worker‑rights scholarship in the United States .

What follows is Norma Jean Almodovar speaking for herself — drawn directly from our conversation.

I asked Norma Jean to start at the beginning, and she didn’t hesitate. “I always say my life didn’t begin with a calling,” she told me. “It began with a crash.” She was driving her LAPD black‑and‑white down Hollywood Boulevard when a drunk driver in a stolen car slammed into her.

“When he hit my car, I said, this is going to be the end of my career here. I’m not coming back.”

The impact left her with spinal lesions she still feels decades later. “It was like a sigh of relief, even though it was painful,” she said. “My career on the LAPD was over.”

She went on disability, and then the department gave her an ultimatum: return to duty or lose her benefits.

“I said, well, fine,” she told me. She walked away from the badge and toward a world she had only glimpsed at the margins — the world of Los Angeles call girls, madams, and clients whose desires were often less about sex than about identity.

Her LAPD years had already shown her the rot beneath the uniform.

“I was the only woman in the roll call at nighttime,” she said. “They didn’t try to hide it… they just did their criminal activity.” Supervisors were often involved. Boundaries dissolved. “As I got to know them, I’m going, ‘Whoa, man.’”

She had been raised in a fundamentalist Baptist church, enrolled in Philadelphia College of the Bible, preparing to be a missionary. She married because the elders demanded it after she admitted she had “petted” her future husband.

“You’re going to either have to get married or leave the church,” they told her. That was the world she came from. That was the morality she had been taught. But the LAPD nights cracked that worldview open, and the crash shattered it completely.

She knew a call girl. “I had met this call girl, and she introduced me to the madam she worked for,” she said.

She had already been having casual sex with cops for free. “Cops think making love is like using their gun,” she told me, laughing. “All they have to do is take aim and shoot. Insert, withdraw, repeat if necessary.”

So she thought, why not get paid for something she was already doing?

Sex work didn’t corrupt her — it revealed her. “It wasn’t until I became a call girl… then I discovered that, hey, I’m bisexual,” she said. Clients would request two women at a time, and suddenly she realized she liked women too. “This is cool,” she said. “This is me.”

One of her clients was a well‑known Hollywood producer, a cross‑dresser who paid her $10,000 for a single extended session.

“He fantasized that he was a lesbian call girl,” she said. “Being a call girl makes you very empathetic to people trying to explore their sexuality.” She dressed him, encouraged him, guided him.

“Obviously he was not beautiful,” she said, laughing. “But to be able to tell him with a straight face that he was beautiful and sexy — that was what you wanted to do. For that time, they were who I said they were.”

She connected this to the ancient lineage of the sacred prostitute. “The word ‘whore’ originally meant ‘beloved one,’” she told me. “People have such a hang‑up about their sexuality that they had to make that word ugly. But for most of us, we didn’t care what other people thought. The only thing that really matters is our clients and ourselves.”

The LAPD didn’t arrest her for sex work. They arrested her for speaking. Her friend Penny — “a very big, heavy, overweight, unattractive woman” — told her during lunch that she had always fantasized about being a call girl.

Norma Jean replied, “If I could find someone who would like your type, I’d be happy to let you know.” That single sentence became the pretext for a pandering charge.

What she didn’t know was that Penny had been flipped by the LAPD.

“She was involved in criminal activity that I didn’t know about,” Norma Jean said. “They threatened her that she would get arrested and go to jail if she didn’t help them get me.”

Penny wore a wire. Nothing happened — no sex, no arrangement, no money. Just a conversation.

On the stand, Penny admitted she did it because she wanted to stop Norma Jean from writing her book about the LAPD.

“She wanted to stop me from writing that book,” Norma Jean said. In any other context, that admission would have ended the case. Instead, it became the beginning of her prison sentence.

The first judge recommended probation. The district attorney appealed.

“I actually served three sentences,” she told me. “I served the one before I went to prison, then I was in prison, and then I was on parole.”

Most people facing prison withdraw from public view. Norma Jean did the opposite. “I was on everybody’s show — Geraldo, Donahue, Oprah Winfrey,” she said. Joan Rivers adored her. “She wrote to me in prison,” Norma Jean told me. Rod Stewart wrote to her too. 60 Minutes interviewed her.

This visibility wasn’t vanity. It was survival. “If anything happened to me, there were people outside watching,” she said. She was imprisoned with the Manson Family women — lifers with nothing to lose. “They wouldn’t get any more time in prison if anything happened to me,” she said.

Her husband feared she wouldn’t come out alive. “Those things saved my life,” she told me. “Having that spotlight on me saved my life.”

She ran for Lieutenant Governor of California on the Libertarian ticket. “I believe in individual freedom,” she said. “It’s your body, it’s your life. If you want to have sex for money or for free, who cares?”

She remembers telling students at UC Davis, “Don’t you want to know what it’s like to be a hooker?”

She has donated her archives — letters, documents, media appearances — to the University of Nevada, Las Vegas. Her sequel, Pros and Cons: Postcards from Prison, is complete. A docuseries about her life is in development.

“I refused to be erased,” she told me. “And I still refuse.”

Ryan Quinn Flanagan

Accountants Fuck Like Numbers (Ode to Frank Zappa)

Voracious penny stocks work in teams with the jowls of thrashing piranhas.
Accountants fuck like numbers: arch their backs into a 9, slap the thighs with a bashful 3,
thrusting a 7 from murky heavens like a man of growth caught in mustache gardens.
Rolls of water buffalo snot fashioned into snakeskin wallets, a brinkman’s economy 
full of hot button pleasers.  Squirters and screamers from behind surprise party couches.
Jumping out to meet that tracker, in the scope of his tranquilizer gun.  No one speaks 
of fair fights anymore, you take on the numbers and bruise with the snapping chain link.  
That acapella hum of foxy green electrical boxes charged with fantasizing away  
the cumbersome hours.  The way the mayor’s wife always spoils her ballots in the bedroom.
Combing out the knots of her hair in a manic wrecking ball fever.  Her peach cobbler manners 
and that nervous tick that forces her to duck her head at inopportune times.
Like a pawing jab in line for the Cruiserweight strap, 5 rounds into a faulty gameplan
the bucking gym rats can hardly fathom.  Money is lost – numbers with consequences.   
Garrulous homewreckers pile into cars and filter out along the avenues.
I promise to revisit my Huck Finn as soon as I get home – huck   huck    huck!
Like that city boy huckster Holden Caulfield, but forever in the bowels 
of the Mighty Mississippi.

Cindy Rosmus

Cupcakes

How bright it was. Like laying nude, on a rooftop, at noon. 

But we were inside, at night, with everyone standing. Of all people, only Joey still dressed. Lars’s biggest star.

 As Lars and another guy fucked with the lights, I caught Joey’s eye. His half-smile calmed me. 

“It’s cold,” I whispered, shivering. He tried not to laugh.

My first time on camera. And with Joey! What a switch: me nude, and him in clothes. Tight jeans and a torn tee that showed his stiff nipples. Soon, all would come off. 

With my teeth? I hadn’t checked the script, short as it was. . . .

All I knew was, I wanted this. Me and Joey, one-on-one. Even under blinding lights, with everyone watching. Even for just one scene. 

He was gorgeous, with that great body and rock star hair. And sweet. Not what you’d expect in this porn world. “It’s OK, Val,” he said, each time Lars made me cry. Wiping my tears with his finger. He had huge, dark eyes. Like an “old soul.” Eyes that I felt watched over me.

Like he read my mind, Joey smiled again, then looked away. 

Did he know? How much I was falling for him? 

Wanting to fuck him blind?

Me, and . . . 

Who else was in this one? 

There were never just two.

I looked around. Same cheap motel, but a different room this time. Packed with equipment and familiar bodies. Sad, I thought, I knew so few by face. 

Like Tabitha, who wasn’t here. Good, I thought. Bitch. Out to sneak Lars out from under me. 

And Carlos, who was bi. And who was here, primping in front of a mirror. 

The rich fuck Lars catered to paid top dollar for guy-on-guy. 

Three months I’d been trapped here. But I bet I could leave. 

Lars had conned me, then trained me, with his fists, and cock. His insatiable cock, like a Tasmanian devil/parasitic twin that tore up everything it saw. Girls. Guys. 

Glory holes.

He made me bleed. In so many ways. “See what you make me do?” he said. “’Cos you can’t follow directions!” And sometimes, “That’s the thanks I get. For bringing you out here. To make you a star!” 

Like Linda Lovelace, I thought, bitterly. Back in the ‘70s. 

But lately, Lars so busy . . . Between booking, and filming, these customized shoots. Recruiting new “stars.” Exploring newer, and even more bizarre fetishes . . .

He had no clue how I felt about Joey . . .

Or did he?

“Places!” he said, from behind the camera.  

Still without looking at it, I tossed the script.

Joey crawled onto the bed. The bright lights made the bedspread look dingier, threadbare. I used to be terrified of bedbugs. But tonight they could eat me alive. That’s how bad I wanted him. 

“Action!” But I was already there. 

As he lowered his jeans, I crept up his legs. I’d seen his cock so many times, but never this close. Always raging, I could’ve swallowed it whole. He gasped with my first mouthful. Almost lost it.

“Slower!” Lars yelled. ‘Cos he sucked cock the best of anybody.

A slight wink from Joey. Smiling, I slowed down, enjoying this, wishing I could stay down on him forever. He grabbed handfuls of my hair, seemed to be guiding me . . . away! But why? This was “our scene”: me sucking his cock. 

“Now!” Lars said, and I finally got it.

Carlos slid right in, taking my place.

As he took Joey in his mouth, my heart sunk. The script! Why hadn’t I read it? I turned away, feeling so exposed, so rejected.

Joey’s moans angered me. Without looking, I knew he liked this. Carlos or me, it didn’t matter. It felt good in anybody’s mouth. 

Hey, this was Joey’s job.  

As Lars zoomed in for the cum shot, I stared over at the door. The old-fashioned chain lock to keep out thieves, and killers.

“Nice,” Lars whispered. “Nice.” Enjoying it as much as Joey. 

***

It got so late, we all stayed in the room for the night. Naked bodies crashing, all over. Lars on the bed, snoring like mad. Across the highway was a cemetery. I pictured the dead sitting up, wondering what that noise was. 

“You mad, Mami?” Carlos had asked me, after the shoot. Now he was on the floor, somewhere, dead asleep.

Against the closet door, Joey and me sat, huddled. Dressed, I was still shivering. And yeah, mad. But still wanting to feel close to him. His tee and chest were soaked from the shoot. I smelled sweaty hair, among other stuff. If I were alone, I would’ve cried.

Instead, I shared his cupcakes. The golden kind, with the marshmallow-y swirls. And an orange soda. He let me sip first from the bottle. 

“I love chicks,” he said, into my hair. “But sometimes . . . I want cock.” 

So did Lars. But I’d stopped loving Lars.  

“OK.” I took back the bottle, sipped again. 

“Tonight,” he said, even softer. “I wanted it to be just us. Me and you.”

My heart swelled. “It wasn’t in the script.”

As he took the bottle, his fingers brushed mine. “So, let’s write our own.” 

Lars was still snoring, but softer now.

As quiet as we were, I hope it haunted his dreams.

M.P. Powers

hitzewelle   

the city is an inferno today 
no wind no clouds no chance no chance 
of rain just a blazing 
bonfire sun baking the trees the grasses the cars 
melting bird shadows
turning my flat into a furnace.
it wouldn’t be so bad if this place had a/c.
but all I’ve got to cool me is a fan 
this bowl of chilled grapes
and a refrigerator full of Helles. 

oh well, I guess it could be worse 
I could be that man I saw getting his chest pumped 
on the S-Bahn platform this morning I could 
be the teen who turned up his toes in the Spree 
or my Icelandic neighbor hyperventilating 
while clutching a pink unicorn.

three days 
it’s been like this 
three days and barely any sleep 
a gluey substance 
on my skin my brainpan boiling three days 
since it began with an old man passing 
under my window wearing nothing but green
underwear and pushing 
a shopping cart loaded with insulation foam.

James Callan

Blue Ball Moon

The stars were thick like fog on a window
gossamer to shroud a torch-kissed witch
silicon dust in astral lashes
coy across the cosmos
cum across the porthole.

A nebulous tide
a quasar for the ages
a gas giantess—
rings where the sun don’t shine.

Shore leave on trashy planets
names like Nimbus Nine and
Blue Ball Moon
The aliens have how many breasts?
So what if they have gills?
Exotic pets that could jeopardize the mission
Doggy or missionary?
On all eights, or on your back?

Brian Rosenberger

Influences

He writes by candlelight,
As the rats emerge,
Floorboards curl,
The wall paper peels,
Tentacles tickle his ankles,
Outside the hound begins
Its nightly howling.
The storm has started.
He dips his pen into the inkwell.
Inspiration or just annoyance,
Sometimes it’s tough to tell.

Bryan William Myers

Will, the Writer

Things will never be the same. Will carved his initials into a tree-trunk somewhere in the middle of nowhere. And all these fucking cliches seeped out of his brain. He put on Beethoven’s 7th and started thinking about the time he and his friends were lollygagging in a big open field, high on mushrooms.

He used to return at night from the bars and go down into his parent’s basement and type little stupid poems on a computer. It was better than jacking off.

“If you’ve got a home at night, then I guess you’re doing all right.” His dad used to say that. Fucking wanker.

Will never got laid, but eventually he did have a place to flop. And through his depressions because of the world making him sick in his heart, balls, tongue, and gums, he managed to do what his destiny told him he should: Write.

He didn’t care about capital letters or slogans or marketing gimmicks. He just wanted to do the damn thing he was born to do. But that was just what the world wanted to steal from him: His soul.

So I guess it would’ve been better to jackoff and sleep or whatever writers did at night, budding like toadstools under Dorothy’s skip-to-my-lou bullshit. Eventually, those toadstools would sink. Too many burgers after midnight, the bitch.

Will howled with laughter as the years passed him by, and there remained a sort of sublime nature to his own undoing. At this point in his life, he wasn’t Shakespeare, and he most certainly wasn’t Alexander the Great. But he was still able to aim his piss into the toilet without any help, and having a place to sleep at night sure beat the couch of a fuck-up friend who toiled in drug abuse, alcoholism, and the eternal splendor of hearing their own voices: Will hated everybody secretly.

Soon, it wouldn’t be such a secret. And isn’t that a damn shame? Writers are annoying, especially when they aren’t writing. That’s when they’re at their worst.

Oh well, Will thought, and he skipped like a rock across a dirty pond with lots of elk surrounding it, pissing and shitting into the wind. “The Wind Cries Mary,” Jimi Hendrix sang. And then he died from choking on his own vomit.

Will kept going, and the worst part about that was that he did so even when he didn’t feel like it. That always felt like climbing a ladder that somebody moved whenever you tried to get some shut-eye. It was probably best and better for his innate madness if he could just get laid. But how?

Will found himself looking in the mirror. Maybe I should cut my hair, he thought. Nah. That realization, though, always came too late. Heh, heh.

One day he was in Austin, Texas. Having a shitfit total mental breakdown. He met some girl from Dubai. And he said, yes, I am a writer. I drink wine. One day I am going to smoke a cigarette without a care in the world, and I will write about you, oh sweet dearie. But don’t you worry a thing about it. Because I won’t use your real name, and let’s be honest. You’ll forget me anyway.

Will found himself atop the girl on a Monday afternoon in a motel in the dark, trying to suck her teat. Tit. Oh Christ. He didn’t even know what to call it. Try again, you sappy little schmuck.

The girl abandoned him, and that became a theme in the life of a writer. Look at Hemingway. He had five wives. And he must’ve had a beer-can of a cock.

Speaking of second base, the words started to come. Heh, heh.

And that felt good. But the memories of his life at this point would ultimately dwell upon the kindness of strangers and friends. He was becoming himself while simultaneously becoming a total pain in the ass. What would Bruce Springsteen have done? He would’ve written a song about it. He would have changed up the tenses, past and present. He would’ve developed a southern draw or maybe a midwestern twang. He would’ve grown out his hair and started drinking like James Dean or Waylon Jennings, and he would’ve lived along a lake and got shitfaced drunk, almost to the point of tears because his woman wouldn’t take him back. Why were writers, why were men, why were little lost boys always so dumb?

It was going to take a lot of words for Will to finally find his balls. Almost like Balzac. Heh, heh. He’d have to write volumes without signing his name. However, and this was most unfortunate, he did not have the wherewithal to understand that important point: If you’re going to pour your guts and heart out to strangers, don’t expect them to foot the bill.

So Will got up from the floors and couches and found a job. It would’ve been a great career choice to find a cushy position at an Amazon warehouse. He could piss in a bottle and make lots of friends.

Will did do one important thing, though. He kept one crucial element to his spasmodic foreboding, under the rug, beneath his collar, by reading lots of books. And listening to lots and lots of music.

The pages came like waterfalls of ceremonious guilt, and throughout his late 20s and early 30s, he turned himself (secretly) into an F. Scott Fitzgerald wannabe. Finally, he found his Zelda.

She popped lots of pills. But they were prescribed. So that was okay. It was her condition. And what was his? Just hide your belongings behind the couch, you son of a bitch. Sooner or later, she’ll leave the room, and you can sneak her pill bottles by the handful and eat ‘em like Captain Crunch.

Will wrote his first novel. And then he wrote another one. And when they (she) finally saw his words, she thought he was a madman. “The bitch,” he thought, “she’s never read Celine. She doesn’t know Knut Hamsun. Otto Frank. She doesn’t even know that the Western world is in decline. Nope. She’ll have a kid, and that kid will become a Muslim. And they will all pray to god that the world will get better. And since I’m such an advocate of religious freedom, such a tolerant bird, I will let them go, and I will feel almost nothing. Because after so many years of my own rosy crucifixion, like Henry Miller wrote into a trilogy, I will write mine too.” Nobody cared.

It was like poop on a stick. Or in the undies. It was like the eyes of a crocodile. Writing. It was totally heartless and yet it meant everything to him. The heart was actually there. The soul was there too. A walking contradiction. Where the fuck was the money? And how was he going to make it?

Women.

They took him in.

They fondled him, metaphorically and metaphysically and economically and all of the above. There was something about a beautiful woman in a goose-stepping world that made him want to live again.

The look in the eyes. The fever of love. The muse. The art. The longing for something better at the end of a rainbow shooting out of his eyes and gonads.

Somewhere, somebody was waiting for him. Well, not him, per se.

But his words.

Yeah. That truly meant something.

Fast forward about a decade or so. And there he was.

“Your words are so warm,” she said on Google Translate. She didn’t even speak English, far away in a romantic foreign country.

“Yeah, baby. You’re one of the most beautiful women in the world.”

Yeah.

Will, the writer.

He drank another beer and then got the fuck outta there.

If only to live another day.

Jeff Weddle

Who Got It   Right? 

I just read a poem Richard Brautigan wrote  
in February 1958,  
which was about a year and a half before I was born.  
It was a poem about Hamlet and Ophelia getting married,  
which of course Brautigan totally made up,  
and which is also totally fine.  
In this poem, Hamlet  
carries a cormorant under his arm  
and Ophelia thinks that’s swell.  
I imagine the woman who would become  
my mother puttering around,  
with no cormorants in sight,  
in some apartment where she lived  
with the man who would become my dad  
and the baby who would become my sister, 
at the moment Brautigan put pen to paper.  
Maybe the man who would be my dad  
said, right then, to the woman who would be my mom,  
that he wanted a cup of coffee.  
That would have been just like him,  
let me tell you.  
What would she have thought if she could have known  
that her potential son would someday, while drinking  
his own cup of coffee,  
read this poem by an author  
she would someday enjoy  
and be inspired to write a poem  
about her and also about that writer,  
with my dad and sister in cameos? 
It would have blown her mind, most likely.  
Still, she would have probably  
made my future father his coffee,  
because she was always kind in that way. 
Now Brautigan is long dead,  
and the man who became my dad is gone  
and the woman who became my mom  
struggles mightily with dementia.  
Everyone knows what became  
of Hamlet and Ophelia,  
except maybe Brautigan didn’t,  
but that’s neither here nor there.  
My sister hasn’t been a baby for a long time  
and now lives in Florida with her girlfriend,  
and I seldom see her.  
What’s left here are me and the poem.  
The poem and I.  
Before too many years,  
I’ll be letting the poem down, 
when I die,
too.  
How lonely it must be to be a work of art  
as everyone lives, dies,  
mostly never knows you were here  
and then just scatters on the wind.  

Lyn L

Bruises

It a strange feeling, I’d call it a little odd
Not being guilty over someone else’s bruises that you caused

I broke your ribs on purpose
And with each bone that I break
I know you’ll think of me
Every time your laughter aches

While I’ve never been one to enjoy licking my own wounds
I find that your pain tastes pretty good

So I’ll pull vulnerability from you like baby teeth
I’ll lick the blood from your gums
I’ll pick your scabs and drink
Confessions bleeding from your tongue

Words laced with equal parts
Of desire and cyanide
You slip out of consciousness like it’s clothing
But couldn’t forget me if you tried